“They wanted an anchor as well” — a key reason she cast herself in the co-starring role.
[pagebreak] Summit Entertainment was one of the few companies enthusiastic enough to commit, co-financing with Participant Media.
The drama of that event, and its inevitable impact on the film, is vivid in her memory. But on March 13 via e-mail, asked if he had specific plans to help with the publicity campaign, he replied, “Yes.” “He was like, ‘I’ll be chained to a car and dragged through gravel for you! Unlike most actors, she says she’s not emotional — on the surface, anyway.
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It was a remarkably easy 43-day shoot, she adds, with Anton Yelchin joining the cast as Gibson and Foster’s son and Jennifer Lawrence as the object of Yelchin’s affection.
“There were some issues that we knew would be problematic down the line, in terms of script,” Foster explains, “and getting the tone right took a long time, and there was a lot of trial and error.
Before Gibson’s relationship with Oksana Grigorieva exploded in the public eye, he confided in Foster.
“We talked about it all the way through, about what was going on in his life,” she says. Then, on the last day of reshoots of Mel, it all came out.” She pauses, and this exceptionally intelligent, highly controlled woman has tears in her eyes. “The performance he gave in this movie, I will always be grateful for.
“Depression is a part of my life I accept,” she says, explaining its cause as a sort of obsessive rumination.